Slide 1: This was a draft plan of the storyboard written out by Miguel before we began drawing out our storyboard so that we were not improvising and had a plan we could work off of. It includes every idea we could think of that would createfully enhance our plot. As well as all our ideas, we included a few specific shots here and there that might improve the quality of what we will be projecting to our audience.
Slide 2: In this slide our different ideas for our trailer have been drawn out onto a storyboard by James. The first thing to show will be our production logo, 'Duration Productions', followed by either a voice over or narration of description on why a film crew followed Ralph to film him. The first actual shot will be a flash of Ralph punching a boxing bag, then doing press-ups in the next shot and then sit-ups. What we feel might make our trailer stand out from the get-go is if we implement a time lapse of Ralph doing all these various exercises. Next, there will be a shot of Ralph running up the steps of Crystal Palace Park, South London, and then eventually tripping over at the top. We will then meet Ralph himself in an interview, and establish the fact that he is a genuine fool! The final shot here, is an interview with Phil Collins (Not the 80s sensation) Ralph's agent/coach.
Slide 3: Here, we can establish the main part to our plot. We catch a glimpse of Phil talking to Ralph about his career as a boxer, conceeding that Ralph was not as good as he thought, therefore terminating his semi-pro contract. He advices Ralph to find a new job, which moves us on to the next shot. We decided to have establishing shots of Ralph going in and out of Sainsbury's, possibly using the time lapse technique again. We will also have non-digetic voice overs of Ralph being interviewed and told 'no' several times. We might use a sound bridge for these voice overs if we add Ralph walking into one or two more shops. The next shot will be of Ralph going into a Macdonalds, but then coming out with a burger. There is a panning shot to some thugs who come out of nowhere and approach Ralph asking for their money. At this point, there are still specific details and ideas we wish to implement in a cohesive manner, in order to sharpen the edges of our trailer. One point we urgently want to work on is the structuring of what we have, so that it does not give the impression of an opening sequence and a trailer.
More planning and organisation will be conducted. But for now we have a firm foundation to build upon.
Slide 2: In this slide our different ideas for our trailer have been drawn out onto a storyboard by James. The first thing to show will be our production logo, 'Duration Productions', followed by either a voice over or narration of description on why a film crew followed Ralph to film him. The first actual shot will be a flash of Ralph punching a boxing bag, then doing press-ups in the next shot and then sit-ups. What we feel might make our trailer stand out from the get-go is if we implement a time lapse of Ralph doing all these various exercises. Next, there will be a shot of Ralph running up the steps of Crystal Palace Park, South London, and then eventually tripping over at the top. We will then meet Ralph himself in an interview, and establish the fact that he is a genuine fool! The final shot here, is an interview with Phil Collins (Not the 80s sensation) Ralph's agent/coach.
Slide 3: Here, we can establish the main part to our plot. We catch a glimpse of Phil talking to Ralph about his career as a boxer, conceeding that Ralph was not as good as he thought, therefore terminating his semi-pro contract. He advices Ralph to find a new job, which moves us on to the next shot. We decided to have establishing shots of Ralph going in and out of Sainsbury's, possibly using the time lapse technique again. We will also have non-digetic voice overs of Ralph being interviewed and told 'no' several times. We might use a sound bridge for these voice overs if we add Ralph walking into one or two more shops. The next shot will be of Ralph going into a Macdonalds, but then coming out with a burger. There is a panning shot to some thugs who come out of nowhere and approach Ralph asking for their money. At this point, there are still specific details and ideas we wish to implement in a cohesive manner, in order to sharpen the edges of our trailer. One point we urgently want to work on is the structuring of what we have, so that it does not give the impression of an opening sequence and a trailer.
More planning and organisation will be conducted. But for now we have a firm foundation to build upon.
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